Dramatic photography has been taken by the minimum light that is everywhere every day. Next, it was changed the color to black and white by using the software with the computer. And it was changed the exposure to stir people's image. Lastly, it was trimmed from the rectangle to the square to eliminate waste and to constitute the balance of the light and people.
The artists' project takes advantage of the U15 building's features to create an association with natural elements present in the collective imagination. Taking advantage of the building structure and parts of it, as its colors and shapes, they try to evoke more specifics locations like the Chinese Stone Forest, the American Devil Tower, as generic natural icons like waterfalls, rivers, and rocky slopes. To grant a different interpretation in every picture, the artists explore the building through a minimalist approach, using different angles and perspectives.
"The Japanese Forest" is taken from a Japanese religious perspective. One of the Japanese ancient religions is Animism. Animism is a belief that non-human creatures, still life (minerals, artifacts, etc.) and invisible things also have an intention. Photography is similar to this. Masaru Eguchi is shooting something that makes feeling in the subject. Trees, grass and minerals feel the will of life. And even artifacts such as dams that left in nature for a long time feel the will. Just as you see the untouched nature, the future will see the present scenery.
The old story of a message in a bottle is once again presented in this photographic series. The photographer uses words as symbols, in an aesthetic that simultaneously applies image and text, to awaken people and call them to this troubled, polluted and unfair world. This seems to be the demand for these images. Hope, fraternity, faith, are some of the words chosen, Eduardo Dulla believes that this planet can be a better place and uses his work to share this message.
The extended design is based on the concept of the queen and chessboard. With the two colors black and gold, the design is to convey the sense of high-class and reshape the visual image. In addition to the metal and gold lines used in the product itself, the element of the scene is constructed to set off the war impression of the chess, and we uses the coordination of stage lighting to create smoke and light of the war.
Digital photographs created by stitching up to a hundred individual exposures together. Post-production using Adobe Photoshop gives the images a painterly, artistic feel. The detail and clarity of a photograph yet the feel of an old master painting gives the photographs an artistic conflict: a conflict between looking at a real subject with all the detail and clarity of a photograph, but the artistic treatment removes the literal feel to give an unreality to the scene. Printed 60 x 90 inches or larger reminds us of the grand scale of old master paintings, not photography.