"The Japanese Forest" is taken from a Japanese religious perspective. One of the Japanese ancient religions is Animism. Animism is a belief that non-human creatures, still life (minerals, artifacts, etc.) and invisible things also have an intention. Photography is similar to this. Masaru Eguchi is shooting something that makes feeling in the subject. Trees, grass and minerals feel the will of life. And even artifacts such as dams that left in nature for a long time feel the will. Just as you see the untouched nature, the future will see the present scenery.
The old story of a message in a bottle is once again presented in this photographic series. The photographer uses words as symbols, in an aesthetic that simultaneously applies image and text, to awaken people and call them to this troubled, polluted and unfair world. This seems to be the demand for these images. Hope, fraternity, faith, are some of the words chosen, Eduardo Dulla believes that this planet can be a better place and uses his work to share this message.
The extended design is based on the concept of the queen and chessboard. With the two colors black and gold, the design is to convey the sense of high-class and reshape the visual image. In addition to the metal and gold lines used in the product itself, the element of the scene is constructed to set off the war impression of the chess, and we uses the coordination of stage lighting to create smoke and light of the war.
Digital photographs created by stitching up to a hundred individual exposures together. Post-production using Adobe Photoshop gives the images a painterly, artistic feel. The detail and clarity of a photograph yet the feel of an old master painting gives the photographs an artistic conflict: a conflict between looking at a real subject with all the detail and clarity of a photograph, but the artistic treatment removes the literal feel to give an unreality to the scene. Printed 60 x 90 inches or larger reminds us of the grand scale of old master paintings, not photography.
The concept of the posters related to Problue brand essence as diving and live. The transition process of clothes in style and diving suit on the same model emphasized the merge of diving and live. As the brand colors, gray blue was applied to gentlemen for elegance and the red was to the lady for charming. The camouflage fins emphasized the fact urban life was as full of movement as in nature. Different contrast were made on purpose to enhance visual experience, for example, fast and still, daily wear and diving suit, smooth and sharp, hero look and elegance.
This is a photographic documentary of Wugang, the Wuhan Iron and Steel Company. Supported by the Russian and built in 1958, the state-owned Wugang is one of the biggest steel factories in China and once signified the industrialization and modernization of the country. However, such industry causes severe environmental pollution. Through capturing the heavily polluted Wugang campus with somber images, this project reveals the price paid and the consequence behind the glory of modernization and economic prosperity, provoking the viewers into the search of a clean and healthy environment.
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